Have you noticed a change in atmosphere or approach in the past ten years or so?
It is the same in Germany, and I think it is the same all over the world. Which is why the recent negative implications of the event weigh in so heavily. Hard Wax decidedly never took part. We stated from early www.besthookupwebsites.org/pl/tastebuds-recenzja/ on that for us every day is a record store day, and that is basically it. But we feel the fallout from RSD as anybody else in the business nonetheless, especially the delays with the pressing plants, which affect our distribution as well, for example, and the releases we buy from other distributors. That has improved a bit lately, but it is still a tremendously hypocritical event, and that does not seem to improve. Nearly everybody’s trying to cash in now on a format that was willfully pronounced dead before, and nearly everything is blocked by back catalogue you can find around every corner, just in different layouts and for a much lesser price. Old wine in new skins. And the new grapes cannot be harvested because of it. It is totally absurd. There may have been some respectable thought implied with it once, but as soon as the major labels entered it predictably withered away into nothing. They want to gentrify vinyl into pricier artifacts instead, for customers that care more about the item itself than the music it contains.
At Acetate, you’ll be playing on a 1970s Bozak mixer and two turntables. Do you think that the way forward for club culture is to retain, or return to, these kinds of formats? Do you approach partying with a sense of history?
I actually approach anything related to music with a sense of history. I am just interested where things are coming from, and how they connect with each other, and how they connect to current developments. I roughly work with a two steps forward, one step back approach.